Swiss artist Bern­hard Meier, who lives inWü­ren­los, has crea­ted a striking art­work for the tower of the local Roman Catho­lic church. Entit­led «Tim­e­l­ess Time», the piece con­sists of a gold-pain­ted metal circle, five metres in dia­me­ter, instal­led just
below the church clock – and visi­ble from far beyond the vil­lage.

Meier’s artis­tic prac­tice revol­ves around fun­da­men­tal ques­ti­ons: What holds our world tog­e­ther? What is essen­tial? His clear and redu­ced visual lan­guage – working exclu­si­vely with cir­cles, tri­an­gles, squa­res and lines – points towards the under­ly­ing struc­tures of exis­tence. «Tim­e­l­ess Time» is abs­tract, wit­hout num­bers, hands or mar­kers. The circle evokes the cycle of beco­ming, being and pas­sing – and ulti­m­ately, the idea of eter­nity.

The loca­tion is deli­bera­tely chosen: From his studio on Würen­lo­ser Land­strasse, the artist has a clear view of the church tower. Its baro­que onion dome has shaped the vil­lage sky­line for cen­tu­ries, while the clock beneath has long regu­la­ted the rhythm of daily life. Just behind the church lies the ceme­tery – a place where the earthly ends, and ques­ti­ons of tim­e­l­ess­ness become tan­gi­ble.